The second half of our Doctor Who: An Unearthly Child case study focuses on the key concepts of Industry and Audience.
You'll find all the answers you need in the notes and clips below. You can then complete the blog tasks at the bottom of this blogpost.
Notes from the lessons
Audience
Reminder: demographics and psychographics
Demographics: The audience classified through ‘fixed’ characteristics such as: age, gender, race/ethnicity, where you live, job.
Psychographics: The audience classified through beliefs, values, hobbies and interests such as: Strugglers, Reformers, Aspirers and Mainstreamers.
- Mainstream family audience – broad appeal as millions of people watch the BBC.
- Long-running which shows it appeals to mainstream audience (age 10-40+).
- An Unearthly Child given PG certificate – parental guidance.
- Demographics: A-E class as some complex plot points but also action that is easy to understand.
- Gender: split down middle (although traditional science fiction fans were male, this has changed over time. From 1970-2010 the female sci-fi audience grew by 22%).
Audience pleasures
We can apply Blumler and Katz's Uses and Gratifications theory when analysing the audience pleasures offered by Doctor Who: An Unearthly Child. Remember, we must consider it from the perspective of a viewer in the 1960s who would have reacted in quite a different way to an audience in 2020. Remember, the four key categories for Uses and Gratifications theory:
INFORMATION/SURVEILLANCE: learning information that you did not already know. Doctor Who offers its audience an education about space travel, science and history.
PERSONAL IDENTITY: personally relating to something - seeing your lifestyle on screen. Think about how different audiences may identify with Susan, her teachers or the Doctor.
DIVERSION/ENTERTAINMENT: escapism and being entertained away from your normal life. Science Fiction is a classic genre for escapism - what examples of this could be found in the episode?
PERSONAL RELATIONSHIPS: caring about characters and wanting to find out what happens to them. This is the first episode of four - which characters do you think the audience will want to follow on their journey?
The 3 Vs
VISCERAL PLEASURE: Physical thrill of watching something e.g hairs on the back of your neck in a horror film, sport, big explosions.
VICARIOUS PLEASURE: Experiencing something through the characters (e.g. time/space travel).
VOYEURISTIC PLEASURE: Watching something you wouldn't normally get a chance to see (e.g. inside TARDIS).
Industries
- K9
- Sarah Jane Adventures
- Torchwood
- Class
1) Who is the target audience for Doctor Who? Do you think it has changed since 1963?
2) What audience pleasures are offered by Doctor Who - An Unearthly Child? Apply Blumler and Katz's Uses and Gratifications theory to the episode. Make sure you provide specific examples from the episode to support your ideas.
Personal Identity:Personal Relationships:Diversion (Escapism):Surveillance (Information / Facts):
3) What additional Uses and Gratifications would this episode provide to a modern 2020s audience?
4) Thinking of the 3 Vs audience pleasures (Visceral, Vicarious and Voyeuristic pleasures), which of these can be applied to An Unearthly Child?
5) What kind of online fan culture does Doctor Who have? Give examples.
Industries
1) What was the television industry like in 1963? How many channels were there?
2) How does An Unearthly Child reflect the level of technology in the TV industry in 1963?
3) Why is Doctor Who such an important franchise for the BBC?
Grade 8/9 extension tasks and reading
Read this press statement from Disney+ regarding Doctor Who and their agreement with the BBC. What does this tell you about the global television industry?
Read this Guardian feature on the representations of race and ethnicity in Doctor Who over the last 55 years. How has the programme changed in its representations of race and how does this fit the BBC's remit to inform, educate and entertain?
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